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last update: August, 2011

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David Cecchetto, Ph.D.
151 Hope St.
Toronto, ON. M6E 1K4 CANADA
Email: dcecchetto@faculty.ocad.ca
Website: www.davidcecchetto.net
Citizenship: Canadian
DOB: December 9, 1978



Publications (Peer-Reviewed)

Monograph:
Humanesis: Sound, Discourse, and Technological Posthumanism. University of Minnesota Press (forthcoming).

Edited Volume:
Collision: Interarts Practice and Research. Eds. David Cecchetto, Nancy Cuthbert, Julie Lassonde, and Dylan Robinson. UK: Cambridge Scholars Publishing, 2008.

Articles:
"Deconstructing Affect: Posthumanism and Mark Hansen's Media Theory" in Theory, Culture, and Society. Vol. 28, no. 5 (September, 2011), 3-33.

“Sounding the Hyperlink: Skewed Remote Musical Performance and the Virtual Subject” in Mosaic: a Journal for the Interdisciplinary Study of Literature. Vol. 42, no. 1 (March, 2009).

"vagant(ana)music: Three (four) Plateaus of a Contingent Music" in Radical Musicology, Volume 2 (International Centre for Music Studies at Newcastle University, December 2007).

Book Chapters:
“Melancholy and the Territory of Digital Performance” in Collision: Interarts Practice and Research. Eds. David Cecchetto, Nancy Cuthbert, Julie Lassonde, and Dylan Robinson. UK: Cambridge Scholars Publishing, 2008.

“Introduction,” co-authour, in Collision: Interarts Practice and Research. Eds. David Cecchetto, Nancy Cuthbert, Julie Lassonde, and Dylan Robinson. UK: Cambridge Scholars Publishing, 2008.

“Ethical and Activist Considerations of the Technological Artwork” in Transdiscplinary Digital Art: Sound, Vision, and the New Screen. Eds. Randy Adams, Steven Muller Arisona, and Steve Gibson. Communications in Computer and Communication Science Series. USA: Springer, June 2008.

Other Editorial:
Musicological Explorations, Volume 9. Published by the Graduate Students in Music at the University of Victoria, September 2008.

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